Sat. Dec 6th, 2025

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Railway Platforms Advertising|Indian Train Advertising

Bengaluru — KSR Bengaluru City & Yeshwanthpur Railway Station OOH: long-dwell impact media

5 min read

Krantiveera Sangolli Rayanna (KSR) Bengaluru City Junction and Yeshwanthpur Railway Station


Key Facts & Footfall Analytics

Metric KSR Bengaluru City (Majestic) Yeshwanthpur Railway Station
Daily Footfall ~ 1.75 lakh (175,000) passengers per day. Not as high as KSR in raw numbers, but still a major junction, especially for suburban/express services plus metro-connectivity; high boarding + transit volumes. (Specific confirmed numbers less public)
Station Type / Importance Major terminus and origin station for many interstate, express, passenger trains; huge passenger dwell / wait times; undergoing modernization & expansion including additional platforms, concourse expansion, new entry points. Junction for express/suburban trains; many passengers transfer; also significant waiting / connecting traffic.
Entry / Exit / Circulation Areas Multiple gates, concourse areas; third entry added to decongest. Large circulating spaces. Proposed skywalks, escalators, wider concourses in redevelopment plan. Similar transit paths, waiting halls etc., especially during peak hours. Frequent connections with metro / local transit in some cases.

What “Long-Dwell” Media Means in This Context

By “long-dwell”, we mean ad formats where the audience has relatively longer exposure time, not fleeting glance; stationary or waiting times — e.g.:

  • Waiting for trains (express / long-haul) — platforms & waiting halls.
  • Entry & exit / ticketing halls where people queue.
  • Retiring rooms / cloakrooms / waiting rooms.
  • Circulation / waiting areas (food courts, shops) inside station boundaries.
  • Escalators / lifts / staircases where movement is slower.

These are high value because each impression tends to be more “attentive”, more memorable, more likely to influence.


Inventory & Formats Available / Potential at KSR & Yeshwanthpur

Here are existing & possible media formats for long-dwell impact:

Format Visibility & Dwell Impact Feasibility / Existing Presence
Large digital LED screens / Digital Display Network (DDN) High impact; motion + sound/video where permissible; excellent in waiting halls & concourse areas. KSR has a Railway Display Network (RDN) project launched, giving advertisers access to digital displays inside station.
Backlit / Static Hoardings in Waiting Areas Passing / waiting passengers see panels in halls / terminals; longer read time. Good for brand storytelling or premium brands. Existing static hoardings are visible around station entrance / concourse. More space likely in waiting halls.
Overhead banners / ceiling sails Effective in concourses / large halls with high ceilings; visible while moving or waiting. Can be used for “branding ambience”. Some are likely used in station layout; redevelopment likely to include these.
Floor / Wall wraps / Pillar wraps In ticketing / baggage / waiting zones; when people queue, stand or pass by slowly. Potential; less documented but a standard OOH package in many large stations.
Audio / PA announcements + Jingles Since people wait, announcements interspersed with short brand messages could reinforce visibility. Regulatory & policy dependent; less common but possible to explore.
Transit kiosks / retail media inside station Shops, food stalls, small kiosks — media assets here capture dwell time from shoppers / waiting travellers. Likely present; station redevelopment may increase commercial outlets.
Retiring / waiting rooms / lounges Very high dwell; travelers may wait hours; good spot for rich storytelling or experiential media. These rooms exist at many big stations; usage is lower but creative value high.

Strengths

  • High footfall (esp. KSR) with a mix of local / long-distance / transit passengers → variety of audiences.
  • High dwell time in many zones: waiting for platforms, transfers, ticketing, baggage etc.
  • Multiple touchpoints/layouts (entry, concourse, platforms, extra entrances) provide sequential exposure paths.
  • Airport-style redevelopment planned at KSR, giving opportunities for newer, premium media formats & better infrastructure.
  • Prestige effect: Branding at such major, “gateway” station adds status to brands.

Weaknesses / Constraints

  • Congestion & Visual Noise: Multiple signage competing; clutter can diminish impact.
  • Regulatory / Safety Rules: Railway rules may limit obstructive signage; concerns over obstructing emergency signage, windows, PA systems etc.
  • Maintenance / Visibility Issues: Lighting, cleanliness impact; some areas may be dim or heavily trafficked so ads degrade or are blocked.
  • Cost: Prime zones cost premium; securing visibility in high-dwell halls may require higher investment.
  • Waiting rooms usage is episodic (some travellers more; many just transit), so targeting may be less consistent compared to regular commuter traffic.

Potential Reach & Frequency

  • Given ~1.75 lakh daily footfalls at KSR, if even 10-20% are in waiting / dwell zones for more than 5 minutes, that’s 17,000-35,000 people daily with high exposure to long-dwell media.
  • Over a month, that gives 500,000-1 million “high‐quality exposures” (i.e. views where message has time to sink in) depending on format & station usage.
  • Combined across KSR + Yeshwanthpur (if using multiple media zones), frequency builds quickly.

Creative & Storytelling Strategies for Long-Dwell Media

To make best use of long dwell media in these stations:

  1. Narrative / Multi-panel Storytelling
    • Use formats in sequence: teaser in entrance, message development in concourse, CTA near platform or exit.
    • Use consistency in visual branding across zones so people recognize connection even if they see only part.
  2. Rich Creative Content
    • Use digital + video where possible (LED screens) — motion captures attention.
    • Use ambient or immersive branding in lounges / waiting halls: ambient lighting, mood visuals etc.
  3. Clear Call to Action
    • QR codes or short URLs leading to landing pages offering value: e.g. booking, shopping discounts, partner services, travel-adjacent services.
    • For long-wait travellers, things like lounge access, food offers, duty-free / local guides etc.
  4. Time / Occasion Sensitivity
    • Campaigns timed with train schedules (e.g. when intercity expresses arrive), festivals, travel peaks (holidays), weekends.
    • Use special creatives during high-traffic windows for added relevance.
  5. Use Layers of Media
    • Combine static + digital + audio where permissible.
    • Place media where people naturally wait / gather (ticket counters, restrooms, shops) so the exposure is not just passing by but experiential.

Estimating ROI & Cost Efficiency

Here’s a rough sketch of what ROI might look like:

Scenario Investment Estimate Expected High-Dwell Impressions / Value Cost per Quality Impression Estimate
Media takeover of waiting hall + major digital screen + static panels at KSR (for 1 month) Suppose ₹10-20 lakh depending on size & formats 500,000-1 million people seeing the media in waits / queues + many more casual passersby If ₹15 lakh spend → ₹15-₹30 per “high-attention impression” depending on reach and visibility
Smaller package: 1 digital LED screen + a couple of static panels in platform waiting zones ₹3-5 lakh ~150,000-250,000 exposures in waiting periods Might run upwards of ₹20-₹40 per high-dwell exposure depending on visibility

These are rough estimates; actual numbers depend on precise locations, light/dark, creative, time of day, crowding etc.


Recommendations for Advertisers

  • Prioritize KSR for anchor campaigns given its high footfall and planned redevelopment. Use the opportunity to buy media now or negotiate for future zones in renovated infrastructure.
  • Yeshwanthpur is good for targeting express / intercity + suburban mix; media placed in lounge / waiting / platform zones there can complement.
  • Use digital screens where possible — while cost is higher, motion + video + ability to change creatives dynamically make high dwell impact stronger.
  • Negotiate mixed-format packages (static + digital + ambient) to both capture footfall and dwell zones.
  • Ensure creatives are readable from various distances; design for viewing in crowds and during busy hours.
  • Consider installing or using audio + PA add-ons (if regulatory approval allows) to reinforce messaging during waits.
  • For lead gen: include offers that are relevant for travellers (food, luggage services, hotels, transport, shopping). Use QR but ensure connectivity and frictionless mobile experience.

 

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